You Can't Take It With You

Money that is. It seems to be a subconscious theme of my chosen entertainment recently. Into The Woods was about escaping the norms of society and a similar thread runs through this Pulitzer prize American comedy.

Southwark Playhouse is the venue, under the arches of London Bridge train station, and 17 talented actors took to the stage in full 1930s costume to bring this classic to life.

The production team are to be commended for the bravery of dusting off a play not seen in a major production for 20 years. Their casting is also superb and each actor brings something fresh to each character. The comical ballet dancer had performed with the Royal Ballet, the Russian is an actor from Ukraine and the elderly father who was not only grey and balding, but fit enough to be thrown over the Russians back in an hilarious scene.

There were numerous moments where it was clear why the play was awarded the Pulitzer. Most of the comedy still works today. Among them was the drunk actress who says that she doesn't drink alcohol when on stage. She waits for the interval to do that. Or the girlfriend who liked the back of her boyfriends head when they first met, and got used to his face afterwards. The comedy timing and delivery was seamless and effortless.

I was pleasantly surprised with the play, the venue, the direction, the costumes, the set, and a talented cast. They fully deserved the 3 curtain calls.

www.charmoffensive.co.uk

BAFTA Birthday line up

Michael Parkinson (left) and Joanna Lumley were the hosts at a variety gala to celebrate Bafta's 60th Birthday. They were joined on stage by a wide range of performers from both the small and silver screens, many of them previous Bafta winners.

Legendary comedian Stanley Baxter and Full Monty and Trainspotting star Robert Carlyle represented the Scots.

Hollywood star Halle Berry took to the stage looking fantastic and legendary diva Celine Dion sounded great singing her infamous Titanic theme. Operatic star Andrea Bocelli sang Maria from West Side story and stunned the audience with his incredible vocal talents.

The boys from Billy Elliot The Musical were excellent and, as ever, the older boys were upstaged by the smallest kid who somersaulted across the stage before stopping, smiling and stretching his hands out like a true professional.

The Kumars interview of Ben Kingsley was dull to watch, but may be edited better for TV and other mildly amusing moments included a revival of a Morecambe and Wise sketch and a Miss Piggy sketch with Sharon Osbourne. Victoria Wood started to raise the laughter levels, though introducing her as "the best comedy talent in Britain", may have been setting her up for a fall.

Finally, no British TV award programme could go without a lineup of soap stars. Some of the cast from Coronation Street were on stage and, for those that remember, Upstairs Downstairs, shared some of the "good old days" with the audience.

Make sure you catch Happy Birthday Bafta on ITV1, Wednesday 7th November at 9pm.

Happy birthday Bafta

The fantastic looking set for the televised Bafta 60th birthday party. It will be on your screens in November.

Michael Parkinson and Joanna Lumley host the show and I just passed Sir Richard Attenborough.

Sean Penn's journey Into The Wild

Hi there

I'm just back from a BAFTA screening of INTO THE WILD with the screenwriter and director Sean Penn in attendance along with the star of the film, Emile Hirsch. The film comes out on November 9th and you must go and see it. It's based on a true story and it's best if you don't read any reviews, nor read the book. Just get yourself along and enjoy the journey. You'll laugh, cry and be entertained, and will look at the world in a new way.

In the Q&A at the end Sean Penn told the BAFTA audience that after reading the book he instantly wanted to make the film, but had to wait 10 years for permission. When he finally got the permission and without reading the book again, he picked up a typewriter and started the first 10 pages. He says he's a 10 page guy. If a script doesn't grip him in 10 pages, it goes in the bin so he wanted to make sure his own first 10 pages were the best. A lot of good scripts might not get the greenlight this way, he says, but at least he won't have wasted a lot of his life reading poor scripts.

After writing the first 10 pages himself, he then got an assistant to write, while he dictated what was going on in his mind. He describes the process as pacing up and down and smoking cigarettes for 28 days straight and the first draft was available. He showed the draft to Paramount Vantage producers and they gave comments back like "hate that bit". Sean laughed as he said they offered no suggestions or alternatives, just "hate that bit".

He thought he was going to have a hard sell as his movies had all lost money and here he was with double the budget, an unknown actor and an ending that wasn't normal for Hollywood. The producers fortunately had also read the book and it had the same impact on them, so within 24 hours, they said YES.

For me, the acting was incredible, not just from the very talented and hard-working Emile Hirsch, but from every character he meets in his travels. You'll see what I mean when you see it. Soon.

In the meantime, here's the website which will get you into the mood with some great music and images.

http://www.intothewild.com

I think Sean Penn could well pick up a screenplay award for this one. He's got my BAFTA vote so far this year.

It's screening time over the next two months, so I'll bring you more snippets from other MUST SEE movies.

Doug

Cruise missiles into London

Tom's in town with Robert Redford. Lions for Lambs has a Bafta screening tonight and has the infamous duo in a question and answer session.

These sessions normally coincide with a premiere in Leicester Square so keep an eye on the webcam at Whats On - London West End at www.Uktheatre.net

Every little thing they did was magic

Wembley Arena is the last night of the European tour for The Police and it was magic.

Walking On The Moon, Roxanne, Dont Stand So Close To Me and many other classics were on the playlist tonight. The light show added the sparkle but there was no need as these veteran rockers have still got what it takes to delight an audience who we-ay-ood and sue-lawley'd along as if they were back in the 80s. Great night.

Its all gone foggy

The Film London debrief has just finished. The fog has lifted. We now know the reasons behind not getting the green light.

Two key reasons were that the core thread of the story was confusing and it was felt that it needed a bigger budget.
So with the fog lifting, its over to Dishad to do some re-writes to bring cohesion to the script and to consider a reduction in characters and locations to reduce the cost.

Will it get off the ground next year ? Time will tell but in the meantime I've got Making It In Hollywood to complete and the prominent politician documentary to be getting on with.

Show business. There is no business like it. Hope you're enjoying the journey.

Back to the drawing board

Right. Flat move over. I can hardly believe that's a year in London. And what a year!

Partnering with Bebo. Going to the Oscars and filming Clint Eastwood and Kate Winslet. Then off to Cannes and capturing Jude, Jake and Jessica. Then down to the last stages with BBC and Film London.

Where to next ? Well I have just received agreement from a prominent politician to do a documentary about his world. Sundance and Hollywood planning has started for January and February for Making It In Hollywood. No plans for Little India yet until the debrief this week. If some top filmmakers think its not possible to make for 100k, then making it for less than that may not be a wise move.

No broadband for a week, so apologies if I have not replied to your email. Click on 'Whats on' at the top of this page to read about the best in stage and screen where you are.


Douglas

Neon Bird at Royal Albert

Instant picture direct from the Royal Albert Hall where Darren Hayes is performing his last show of the UK tour. I was lucky enough to be in a box with free wine and beer.

The crowd loved every minute and were on their feet cheering a great entertainer. Robbie Williams' tour manager sat next to me taking notes. This is a refreshing production which has a concept, a story and a performance.


Darren is off to Australia on Tuesday for 3 weeks, then off to promote his album in the US over Xmas.

Time Machine Tour by Darren Hayes

I was delighted to be invited to the production rehearsals of Darren Hayes' Time Machine Tour last night where I took the photo above. It's just kicking off tonight in Glasgow and is heading around the UK.

The ex-Savage Garden singer has put together an incredible performance. Great music, great dancing and what a voice ?! Don't miss the fantastic laser and light show, as well as watching the story of the concept of The Time Machine unfold. A great production and a talented performer.

See UKGigs.TV for details of where he's performing over the next two weeks.

Life's A Pitch

Making a film on a micro budget has its challenges and this week I've shared with you some of the knowledge from the BBC/Film London "Microschool". As a producer it is critical to choose the right script in the first place. If locations are too many, actors in abundance and lots of special effects, choreography or fight scenes for example, then these all add to the expense of the film and increase the rehearsal and shooting time. These are all inhibitors to getting a film off the ground and obtaining buy-in and thus investment.

Show business is one of the most competitive businesses in the world, especially in independent film. Making an independent film which is entertaining, compelling, exciting and drives audiences to see it, is one thing. Making a profit on it is quite another story.

Take London To Brighton for example. The final day of the Microschool had an audience with the Producer. Private investors provided £65,000 to make the film. Then another £200,000 was required to deliver it to the cinemas. The box office receipts for a UK cinema release were £200,000 and DVD sales have reached 23,000. Yet it has still a long way to go before it breaks even. Apparently around 95% of cinemas income is generated from the popcorn, hotdogs and drinks that we have. The other 5% is from the showing of the film and even then most of that goes to the promotion, advertising and distribution. So, that film you've seen in the cinema that looks amazing and you've told your friends about, hasn't made any money. However if you have a successful UK film, it is likely to sell to other countries around the world and if it build up a significant interest in lots of countries, which each have loss leading cinematic releases, the ongoing DVD sales over the following 3-5 years, are what will ultimately make the return on investment.


Right now, Little India is sitting on the cusp of becoming one of those films. All it takes now is for a successful 15 minute pitch to four of the most powerful people in the UK film business.

On Monday. At lunchtime.

No pressure.

Making It In Hollywood - there's no business, like show business.

Script, locations, budget

Day 3 at Microschool

Script, script, script. Location, Location, Location. Budgets, budgets, budgets.

The writers were happier today. They had been challenged by experts who said their characters weren't strong enough, their locations were too many and they were creating massive budget challenges. They brainstormed, reviewed, discussed and then slept. In the morning they arrived with stronger convictions, characters with more depth and places where edits could be made.

The other sessions were discussing "how to work with creatives". Will you get along with your chosen team when the pressure mounts and the days become longer ? Will you support each other and build the team energy when it's low ? How can you entertain your audience if your cast and crew are not fired up ?

Other sessions included a talk on casting and it was nice to hear that one of the top tips for finding actors was "go to the theatre". Nice one. Producers, directors and casting people are visiting all the time, so if you are a performer, look out, it's not just critics you need to worry about, it's that potential next big film role !

The day ended with the screening of Extraordinary Rendition and writer/director James Threapleton was on hand to talk about it beforehand. A quick search of his name on google and I noticed he was married to Kate Winslet for a few years. His film features Andy "Gollum/Kong" Serkis as the ruthless interrogator. It's a great film and it has a screening today in London for UK distributors. I'm sure it will be a winner, it was a gripping film about the kidnapping and torture of terrorist suspects by CIA agents who transfer them from country to country. We see the story from an ordinary Londoner who is going about his daily business. Made on a budget of £65,000.

It can be done.


Douglas

Planning for success

Day 2 at the Microschool.

As you may know by now, I'm on the Film London assessment workshops which is called "Microschool", where four of the final ten selected films will be chosen next Monday and given a guaranteed screening on BBC and a 'micro' budget of £100,000.

Yesterday the writers and directors were split up from the producers in order to perform some of the scenes from the screenplays with professional actors. Additionally the scripts were critiqued by industry experts. Most writers looked a little brain-frazzled by the end of the day as they were given challenges of reducing characters and locations to reduce the budgets even further. What is the film about ? Who is it about ? Why should I care ? Were the focussed questions which demanded instant answers.

Meanwhile, I joined the other Producers for some exciting indepth presentations on the legal aspects, copyright and my favourite, insurance. Lovely. It's a real minefield as you can imagine but fortunately Film London provide all the forms and paperwork in a nice little pack if we are "greenlit". We also had a session with a top line producer who gave some hints and tips around scheduling the film and budgetting.

In the evening, we had arranged to meet David O'Donnell (pictured), from Cage Rage. We are looking to work with one of the fight organisations, as two of the key scenes include one of our hapless characters having to fight in Wembley Arena to save his mum from the bad guys.

When we met David he was in the middle of a conversation with Wolfman, of TV's Gladiator fame. A quick introduction and both of them were interested. Wolfman in a cameo role seemed like a possible option and getting access to the fight cage before and after the big night was seen as easy to provide. We left with an understanding that we have the option to work together if that big green light comes on for us on Monday.

Exciting times. The pieces of the jigsaw are falling into place nicely. Still a long way to go and six projects will be unsuccessful. Nevertheless, it's all good fun.


Douglas

Microschool - Serendipity leads the way

It's all happening.

Serendipity leads the way.

Dishad and I met for a coffee beforehand and we came up with some final suggestions on what we were going to say about the film. "It's a fast paced action comedy featuring three underdogs and their attempts to be successful".

We headed to the Shoreditch Town Hall but we couldn't find it and stopped next to an equally lost guy looking at a map who asked us for directions to the same place. He was the Sales Agent giving a pitch at today's session. A quick introduction and I realised that he was also from Glasgow. The first great connection of the day.

We eventually found the building on the opposite side of the road from where we were looking. I had brought my camera so we stopped outside to do a little piece to camera showing our first day excitement.

The Chairman of Film London, Sandy Lieberson made a surprise visit to talk about the pitch that we've to give next Monday. He headed up 20th Century Fox productions and launched the Star Wars films, among others. He opened up his talk by asking the audience to tell him about their film - "It's a fast paced action comedy featuring three underdogs and their attempts to be successful", I offered and he said that it was a more powerful pitch than others. Nice feedback.

The rest of the day went well, and finished with the screening of two of last years selections which are now in post-production. Shifty and Mum & Dad. Shifty looked interesting and reminded me of Sweet Sixteen with drug culture being at its core but this time based in Essex. Mum & Dad is a horror and this one shocked the entire audience and left me with a horrible feeling. Why audiences want to watch people being brutally murdered, I just don't know, but there's a market for it and it was well filmed.

Back home I caught up with my brother for a drink in the local and we ended up chatting to two of the cast of Life On Mars (pictured) who were filming a new series Ashes to Ashes locally. I told them about Microschool but as it was a low budget I couldn't afford highly paid actors. They said they would love to be part of the film for a low fee and also offered to come to the premiere. Nice.

Finally, I noticed in yesterday's newspaper that the cage fighting in Wembley Arena, which is core to the story of Little India and where we intend to film, is on this Saturday !! Two tickets bought.

What a day.


Douglas

Microschool - Getting ready for day one

Morning.

I'm ready. 7:30am and I've got enough time and I'm alert enough to write a note to you. It's a 10am start and like a good producer, I've got everything planned and ready. I worked all day yesterday to prepare the final packs and I've got them all neat and ready in some cool box files. Four copies each of the 90 page screenplay, 16 page budget and 9 page schedule, as well as copies of the answers to 10 questions on our submission.

The budget template provided by Film London made the job less complex. Each potential cost item was listed with some indicative costs and it was much like a shopping list. Two of those, six of them, and it was a great reminder to all the small costs that we often forget to budget for. Makeup, wardrobe, drivers, telephone costs are all included in a structured way. It soon burns a hole in the £100k budget. Fortunately we don't have any set design requirements, no music to pay royalties on and no Hollywood stars. If we did, the film just couldn't be made. £100,000 seemed a lot of money before I started this but now I feel it's a comfortable amount to make a film. This doesn't even include the marketing and distribution costs, this is just to make the film. It could lie in a cupboard somewhere if it doesn't get a distributor. Fortunately in this instance, the BBC will be showing the finished film on TV and supporting us in the sales cycle as well. Well, they've got to do something for their 60% ownership. The other 40% goes to the production and our top-up investors. The Film London scheme provides £50,000 so I've got some investors waiting in the wings to negotiate with if we get the deal.

There's no business like show business.

Here's the schedule (below) for today. I'll let you know how it goes. Thanks for continuing to be interested and your supportive feedback.

Douglas
_____________


10.00 Welcome/scheme overview: Maggie Ellis & Mia Bays
Introduction to Microschool: With Alexis Johnson & Mia Bays
10.30 The Market Place: Talk with Andrew Orr. The benefit of strong market positioning for micro-budget features, focusing on genre, treatment & log line.
11.30 The Business of Micro-Budget Films: Talk & Discussion with Mike Kelly.Introducing the fundamentals of Micro-Budgets, understanding cost drivers & the balance between expenditure and income. To make the case for entrepreneurship & being positive about your budget.
12.30 LUNCH
13.30 Introduction to Producer & Script Mentors: Teams divide into 3 groups & work in their assigned rooms.
14.00 Genre Group Project Analysis: Workshop with producer-mentor name & script-mentor name. Group discussion to introduce projects.
15.30 Genre Independent Study: Teams may book 1:1 sessions with their mentors. Booking sheet will be provided.
16.30 Debrief: With Alexis & Mia. Identify day 1 achievements, & day 2 prep.
17.00 Microwave 2006 Alumni: Discussion with Steven Sheil, Lisa Trnovski, Ben Pugh and Rani Creevy; chaired by Mia Bays. Sharing the challenges and successes of making micro-budget features, and their experiences of the first year of Microwave.
18.30 END

Alan Cumming now in London

You may have seen the review earlier this week from Jon Cuthbertson in Glasgow. Well, the National Theatre Of Scotland arrived in London with their production of The Bacchae starring Alan Cumming in the lead role as Dionysus the Greek God of wine and theatre.

At one hour fifty minutes long with no interval, coupled with the fact that it is a Greek tragedy, may put a lot of audiences off, but you'll be missing out.

Alan Cumming was made for the role. His own lifestyle, his stage presence, his cheeky smile and his choice of gold lame`kilt and waistcoat, is worth seeing alone. Add some sexy singers into the mix with Jesus Christ Superstar styled songs and you have a very different and ambitious production.

There are a number of fantastic visual effects which are best left to seeing rather than explaining here. Flowers, wine, fire and lights are the tools of The World Famous who did the special effects.

The Lyric in Hammersmith is a great looking theatre, having reconstructed the original nearby opera house inside a 70s styled building. Well worth a visit.

Www.lyric.co.uk

Meet Joe Wright

Joe Wright

A name you'll hear more of in the world of film. I thought I'd take a delve into his career to share with you. Here's the lowdown.

Director

2005 first feature film, Pride and Prejudice which won him the BAFTA best newcomer award, 4 Academy nominations and 6 BAFTA nominations. No less.

This year Atonement. Again with Keira Knightley and complimenting her nicely is top Scots actor James McAvoy.

Wright was born in London where his parents founded Little Angel Theatre, a puppet theatre in Islington.

His next film ?

The Soloist. With Jamie Foxx and Robert Downey Jr.

A true rising star who is making some fantastic films.

Atonement opens in cinemas from this weekend.

The premiere was live while I was writing this and I had a look at the webcam and could see the crowds growing. It'll be all over by now but here's the link, save it in your favourites:-

Whats On > Whats On - London West End

UKFilm.TV - Angelina Jolie

64th Annual Venice Film Festival

The Assassination Of Jesse James By The Coward Robert Ford

Premiere - Day 5

Angelina Jolie wearing Bvlgari.

See the film trailer with husband Brad Pitt at http://www.ukfilm.tv

George Clooney and his partner in Venice

VENICE, ITALY - AUGUST 31: George Clooney and girlfriend, Sarah Larson, attend the Michael Clayton Cocktail Party held at the Cipriani Restaurant in Venice during Day 3 of the 64th Venice Film Festival on August 31, 2007 in Venice, Italy. (Photo by Jeff Vespa/WireImage)

Venice Film Festival opens with ATONEMENT

Here's one way that producers can get their movie sold around the world. Have it as the opening night at the oldest film festival.

The free publicity it generates around the world is invaluable and will certainly get international sales agents beating a path to your door.

Of course you need to get a great story to start with, add some of the today's top British actors, and get it directed by a rising star.

Director Joe Wright and his cast, including Keira Knightley and James McAvoy, were at the opening night of Atonement, based on the Ian McEwan novel of the same name.